I paint ordinary places.

I’m interested in what happens when familiar spaces are held still—when a building, a sign, or a quiet stretch of land is separated from its usual function and allowed to exist on its own terms.

Rather than depicting events, the work focuses on what lingers afterward. Over time, places absorb pressure, memory, and expectation. These traces aren’t dramatic, but they shape how a space feels.

The paintings are intentionally restrained. By simplifying form and quieting color, I try to create images that feel stable at first, but gradually become uncertain. Meaning isn’t stated. It accumulates slowly, through looking.